Tag Archives: Review

Libby Purves – Radio: A True Love Story

Radio: A True Love Story book cover

Libby Purves loves radio, and anybody who loves the medium will enjoy this book. It’s autobiographical but not an autobiography. It focuses solely on Libby’s life with radio: from building her own transistor set to hosting flagship Radio Four programmes Today and Midweek. Libby’s delight with sound, and particularly voices, is unmistakable.

This book is not a history of radio nor is it a manual or how-to guide. It is, however, filled with delightful personal anecdotes about speech radio spanning the corridors of the BBC World Service in Bush House, through the early years of BBC Local Radio (she worked at Radio Oxford) to the heart of BBC Radio at Broadcasting House. Libby’s joy in talk radio is clearly with the Radio Four style and her attitudes hark back to Lord Reith and the BBC’s founding fathers. This is not a criticism for it makes an interesting backdrop to today’s radio services. Not for Libby the shock-jock approach to the ‘phone-in nor the music driven disc-jockey speak but the (apparently) slower-paced world of radio documentaries and features and the fast-moving news and current affairs departments are her chosen arenas. The book is filled with personal stories, and she paints superb pictures of the characters that inhabit the world of the wireless (management, production staff and presenters). The book is also an appeal for speech radio which, she feels, is too easily overlooked in a BBC obsessed with television ratings in the digital era. Yet the book has hopes that this unique brand of public service radio will survive.


Radio: A True Love Story
is an engaging read. It doesn’t overpower the reader with names and places but peppers the tales with personalities who add colour to the tale. Libby’s love of the medium comes through loud and clear and that is what makes this a joy to read and recommend.

On this day…

2006: Some People Are Helpful

Haunted Castle

I went to the BFI London IMAX cinema last night to see Haunted Castle: it’s presented in 3D and was superb.

Firstly, the 3D effects were excellent. There are several scenes (one on a roller coaster-style ride) where you really could be part of the action. It’s very, very well done. Of course, like many of these films, there are some ropy bits, but, on the whole, it’s believable 3D throughout. I found myself closing my eyes at some points because I really felt some of the action was leaping from the screen.

Haunted Castle is the story of Johnny, whose mother – and ageing rock star – has died and passed on her secluded castle home to her son. Upon arrival, Johnny finds that the castle is more than an empty stone building, for it’s alive with ghosts and evil doers. As he stumbles around the castle, Johnny discovers his mother had done a deal with Mr D in which she had to give up her soul for fame and fortune.

We are taken on a ride through the castle to hear the music in the burning pits, meeting the ghouls and spooks that inhabit the Haunted Castle along the way. We ride the cable car and Ferris wheel into the fires and visit the strange dungeons where the Opera singers are spending their days – will Johnny surrender his soul and give in to the temptation of the spooks? Finally, Johnny confronts Mr D again as the castle falls around him.

The stunning effects in this film really surround you. It really was a superb experience and reminds me that I should go to the IMAX more often.

On this day…

2005: More Politics
2004: St David's Day
2003: Ben Affleck In Tight Leather

Chicago

Chicago movie poster

Having enjoyed the Chicago, The Musical, I went to the cinema to see the long-awaited film version. And what a cinematic treat it is, thoroughly deserving many of the great reviews it’s been getting on the web.

There are some who feel this is better than the musical, but I would disagree. It’s a superb film, but there are always comments to be made: it sticks a little too closely to the stage version, not using the different medium to its full extent. That said, the music is still there, and while not pushing the genre’s boundaries like Moulin Rouge, it is some of the best music to have made it to film. The air is filled with the jazz sounds of 1920s Chicago, the perfect backdrop to the nightclub singers and the murders they perform.

Catherine Zeta-Jones is a superb Velma Kelly, Renée Zellweger perhaps not as sassy as the Roxie I have in my musical memory, but she certainly plays the vulnerability card well, and the surprise (to me at least) was Richard Gere, who plays suave Billy Flynn brilliantly (and it definitely seems that he can sing and dance).

Some commentators have suggested that the direction is limited due to director Rob Marshall’s TV background. I can’t say that it was noticeable to this viewer, although perhaps my comments about the medium above are related. Chicago tells the tale in an elegant way; it conveys the essence of 20s and moves along at a decent pace.

If there was one major disappointment, it was the downplaying of the Mary Sunshine role (in the musical, it’s played by a man) and the omission of her song (A Little Bit of Good). Nevertheless, one to recommend.

On this day…

2006: Coffee To Get Me Going
2005: Links Of The Day
2005: Now We Know
2003: The Grand Old Duke

When Love Comes To Town

My latest book review!!

When Love Comes To Town
Tom Lennon

Book cover for When Love Comes To Town

There are many fictional coming-out tales to choose from, so why this read Lennons?

Firstly, there aren’t that many set in contemporary Dublin. Secondly, there aren’t many told with the humour and compassion of When Love Comes To Town. Finally, there are not that many that are such a good read.

Let me also be honest. There are few new takes on the coming-out dilemma, so don’t expect total originality.

Neil Byrne is a top-class student who has realised he isn’t like all his coupled-up (straight) friends. The story takes us through Neil’s tentative steps into Dublin’s gay nightlife and his introduction to the characters of The Scene. Neil’s first love and family’s reaction are all covered, and his confusion, pain, hopes & desires are well described.

The family’s response is not a model reaction, so don’t read this book if you are looking for a reassuring, positive take on the acceptance of loved ones to the news that one of their own is gay.

The book’s climax is certainly one of the more surprising aspects of the tale. In a dark moment, Neil realises what he needs to do to survive the next few years of his life in an intolerant community. This ending results in a fine piece of writing that conveys the emotion of the final scene remarkably well and, I suspect, brings a lump to the throat of many readers.

Given a less positive ending than many similar books, I found this to be a refreshingly honest story. It is certainly a welcome addition to the genre.

Click here to but it at Amazon | Click here to see this review at Amazon

On this day…

2007: Presentation Porn
2005: Memories Of The Walkman
2004: Digital Download Chart
2003: Silly Pop Stars
2003: Beep Beep To Profit

Where Are You Now, Miss Boo?

I submitted another review to Amazon.co.uk today, and I was quite pleased with it. Having just finished Boo Hoo (the story of online “active streetwear” retailer boo.com), I thought I would add another review to my small list. I was particularly fond of the last line: “Live hard, die young and leave a beautiful corpse” could almost have been written of Miss Boo.

I wait to see if it published as I wrote it.

My full review submitted to Amazon.co.uk earlier today:

What a fascinating book. Take two Swedes, a desire to be “cool”, and throw $135 million at them! Ernst Malmsten’s story of boo.com is a warning to all new enterprises everywhere: get some strong financial controls and make sure you stay in charge of your costs. Most of all, it tells us that there is no substitute for some experience when running a shop.

I was sceptical that Ernst et al. would hide behind others and not shoulder the blame. However, what comes through clearly is the founder’s vision, belief and desire to build a world-class product, as well as the management’s failings when developing that business. It is possible to read much by what is not said, as well as what story is directly told, and in that, an incredible tale unfolds before you.

The book is well written and highly addictive. As the inevitable end approaches, it becomes one of those books you pick up all the time, even just to read the next two paragraphs. As a story, it is thoroughly thought out, well-paced, and fascinating. As an insight into online business history, it may be one-sided and sometimes lacking, but it remains compulsive reading and a captivating look at a never-to-be-repeated economic boom (and bust) time.

Boo.com became synonymous with the “live the high life, party hard” culture that many cash-fuelled Internet start-ups went through (and spent). “Live hard, die young and leave a beautiful corpse” could almost have been written for Miss Boo.

On this day…

2006: Button Is A Winner!
2005: London’s Living Room
2004: Saturday News
2003: RSS Feeds
2003: No More Clause 28
2003: July 2003 And All That