Tag Archives: musical

More Producing

Following up on my previous review of The Producers, I’ve had a little more time to think about it, and earlier I posted this to Gay Boy Musicals Fans UK at Yahoo!

Having read the positive reader comments on the BBC’s story about The Producers, I suspect I may be a lone voice in expressing a little (and just a little) disappointment. I hadn’t read many reviews, but I did know about the reception it had received in the US and the praise heaped on Nathan Lane and Matthew Broderick.

I haven’t seen the film, which, judging by the number of people sitting around me who had, means I was possibly one of only a small number of people in the audience who hadn’t. I wonder if that made a difference?

I saw it a week or so ago, and it was good but not as good as all the raving would imply. While Nathan Lane’s talent, comic timing and performance cannot be faulted, I did find weaknesses in the show. I thought some of the musical numbers in the middle were slow, and the Ulla character was not engaging at all – in fact, she was positively irritating. James Dreyfus was camp (which, I guess, is the intention) but in that 1970s OTT cringe-worthy way. Humour is, of course, personal and subjective, but I found it only amusing and not laugh-out-loud funny, as many of the reviews suggest.

Still, I would take issue with the review of Lee Evans’ performance, which says ‘he just about holds his own’. I would argue that he did far more than that. He too was excellent, believable & humorous, and while I’ve never been a big fan of his stage antics, he worked well in the role. In fact, for me, he worked so well I can’t imagine Broderick in the role.

I will, however, recommend the show because it stands out from much of the rest of the West End right now – it is good. It has some wonderful comedy and delightful musical moments. But those individual moments do not, in my opinion, add up to a great whole. I even bought the soundtrack in the hope that familiarity with the songs will make me warm to more of them.

Maybe it’s just me.

On this day…

2004: The Point Of Art?
2003: Flight Time Thinking

The Producers

I went to see a preview of the London version of The Producers today and was, like last night, a little taken by surprise. This time, however, it was with disappointment, not pleasure. I’ve been talking to PY and trying to explain my disappointment, but he doesn’t get it: he loved the show. I did not know the plot, nor had I seen the film, so I wasn’t let down by the story, but I had read that Nathan Lane had taken Broadway by storm.

You can’t fault Nathan Lane: he’s superb, and his comic timing is excellent. Lee Evans seems born for his role as the sidekick Leo Bloom, and some of the songs are great. Others, however, feel weak, and parts of the story just aren’t engaging. James Dreyfus camps it up in John Inman style, while Ulla, the Swedish blond bombshell, is so lost in the stereotype that any humour is lost.

Don’t get me wrong, it is a good show. I can’t imagine Richard Dreyfuss in it, and I imagine it will be hard to replace Nathan Lane in January. If you’re going to see it, I would suggest trying to get tickets now because, without Lane’s superb performance, I am not sure where this show will go. The fact that it is one of the better shows on the West End right now possibly says more about the other shows.

Sadly, The Producers disappointed.

UPDATE: Well, the reviews are out, and I may be a lone voice expressing disappointment. I wrote an updated review for the Yahoo Group: Gay Boy Musicals Fans UK (you can read it here if you’re not a member of the group).

On this day…

2003: The gay team

Jesus Christ Superstar

james fox

So I have to take it all back to TV pop stars. Last night I went to The New Wimbledon Theatre to see the touring production of Jesus Christ Superstar. PY bought tickets for my birthday. I had heard the soundtrack as a child but never seen the musical until I was in Norway a couple of years ago when I saw it in Norwegian – which of course made little sense to me but was an amazing staging in an outdoor setting. This one was, thankfully, in English. Fame Academy star James Fox was Judas, and he put in a superb performance. He was very impressive, with a much more powerful voice than I thought he had the last time I saw him perform his own material.

Glenn Carter was excellent as Jesus (although it seems to have been a role he has played many times), and the rest of the cast were also very good. The only thing I found a little odd was Herod’s Song, which was unnecessarily campy, but overall, it was an excellent night out and worth seeing. Last night was the first night, and it was sold out. I hope the rest of the run is like that, as it deserves it.

On this day…

2003: Bush House, London
2002: Tired

Everything Taboo

Taboo The Musical

I went to see Boy George’s Taboo last Friday and have been contemplating the blog entry ever since. I have to say that I thought that it was fabulous and I want to see it again (I even ordered the soundtrack last night!). It’s a fictional account of a lot of real people, but most of the plot must be based on Boy George’s own life story, as I recognised many of the characters and plot lines from his book Take It Like A Man. Obviously, he is a key (though not the central) character. I would thoroughly recommend this to anybody visiting London, regardless of the way you feel about Boy George. It’s a strange time capsule of a musical, and his songs are great – although several of them are old (some of which are taken from the underrated album Cheapness and Beauty, which I regard as one of the best of all time). The story is tender, the performances top-rate, and the whole thing is laugh-out-loud funny (especially Julian Clary). Lastmiunte.com often has cut-price tickets a few days before a show. Go see it. Often.

[Links: BBC News – George breaks 80s Taboo | BBC News – Matt Lucas’s comic extremes | Guardian – We were so naughty | I Love the 80s]

I also posted a review to the gay boy musical fan group at Yahoo! This is what I wrote:

I thought Taboo was fantastic – and I wasn’t sure what to really expect. I think I had envisaged it as something akin to Closer To Heaven, but it wasn’t really like that at all. I loved the fact that The Venue is quite small and quite intimate, which made you feel closer to the stage (and the audience bits help) and, of course, it brought memories flooding back (although I was watching events in the early ’80s from the safety of the north).

I am a big fan of Boy George’s more recent albums – Cheapness and Beauty is one of my all-time favourites. When I heard some of the songs were being reworked for the show, I was worried. Luckily, few have been re-penned, and those that have been re-done are still as good as they are on the CD (although different). I was stunned by how much the mannerisms of the Boy George character seem to be like the Boy George we see on TV, etc. It was a remarkable performance. Duncan Bennett as Billy was superb (was he really in the band Point Break? I don’t remember him) as well as being some appealing eye candy 😉 It was a thoroughly entertaining night out, and I would recommend it to anybody.

Julian Clary was superb and, of course, looked stunning in those Leigh costumes. I would be interested to see how other people play the part, as he put his own stamp on it without it seeming to be too Julian Clary.

I’ve ordered the CD – the cheapest I could find it was £10.99 at Play247 – although it was on back order, I noticed tonight that they have posted it to me. I’m sure the CD doesn’t do the show justice (they rarely do), but I hope it will be brilliant anyway! Lastminute.com always seems to have discounts on top-price tickets. I bought the cheaper seats directly from the box office and, to be honest, I think my view was as good as anybody with the more expensive ones (the theatre isn’t really large enough for it to make a difference). However, Lastminute’s discount seats are even cheaper, and I shall certainly be going again.

On this day…

2005: Admonished By A Snack Food Wrapper
2004: Wet London 20
2004: 21 Dog Years: Doing Time At Amazon.Com

The Full Monty

I saw The Full Monty at The Prince of Wales Theatre, London, last night. I have to admit it was much better than I expected. The central story you’d recognise from the film is there, but it’s adapted for the stage and set in Buffalo, New York.

In particular, the introduction of some new characters (the excellent Lynda Baron as Jeanette and the lovely Julian Essex-Spurrier as Keno, a professional male stripper) helps the story along well. The songs were strong, and I shall be looking forward to getting the CD. In my opinion, Ben Richards (Jerry) was excellent as the show’s main character, which is useful, as he seems to carry most of the show. The rest of the cast were great: Paul Keating made Ethan into an amusing character, adding a slapstick dimension to the humour, and David Ganly carried Dave’s insecurities and vulnerabilities well.

Without taking anything away from the show, I would have liked to see it set in the UK, and the main narrative driver (Jerry’s need for money to keep seeing his son) was somewhat unbelievable (even for a West End musical). However, if you fancy an evening in a theatre that is 70% groups of women (although it didn’t seem overly hen-nighty), then I would thoroughly recommend it.

On this day…

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