Kill Bill (Volume 2)

Continuing her quest for revenge, Uma Thurman is back as the unnamed bride in Kill Bill (Volume II). If you’d read my take on the first one then you would realise that I was destined to see this as quickly as Love Film would send it to me.

The bride has several members of Bill’s gang of assassins (Deadly Viper Assassination Squad) to remove and she hits the ground running. This time, however, we learn a little more of the background to the trail of blood and we get to meet Bill himself. There is, perhaps, more emotion to this film (particularly in Uma Thurman’s part) than the first and the violence is, perhaps, less stylised and more realistic. I am truly amazed how much I have enjoyed both the Kill Bill movies and I will have to reassess my opinions of Tarantino’s work.

Rent Volumes 1 and 2 and unplug the ‘phone. You won’t regret it.

On this day…

2005: Font Size

Another Grid Lock

PY and I had some errands to run which partly entailed us driving to Heathrow airport. Then we went onto High Wycombe to do some shopping. And yet again we were stuck in traffic for hours. I think it may be time to consider alternative forms of transport. It seems no matter which way we go, south or north, we’re going to get stuck. Now I don’t enjoy being stuck in traffic but PY hates it and lets his frustration show. Maybe I should let him select the music from now on!

On this day…

2006: Children In Need Is Britain’s version of Thanksgiving
2005: Modern Life Is Rubbish
2003: Movable Type Pro, Soon?
2002: I Want A Career (And I Want It Now)

Evening In The City

I don’t often go out in The City of London (that’s the financial heart of London). I am a much bigger fan of hanging out in the the West End – which is mainly where I have worked and socialised for all the years I have been here. I’ve just got back from a drinks with some colleagues in The Counting House – which is on Cornhill and a few seconds walk from Bank station. It’s a fabulous place full of character and ornate splendour (the domed roof is wonderful). Then we went for a curry and a decent Indian restaurant which was, unlike the ones on the West End, quiet at the end of an evening. The only downside on the evening: it was just a little harder to get home. I must do this more often.

On this day…

2005: Switch Me On?
2003: Remember, Remember (I’m A Bit Late)

Grid Lock

brighton pier on a sunny saturday afternoon

So I spent the weekend in Brighton: it was a fantastic idea for a last-minute getaway and I am really quite pleased that I went. The weather was cold and crisp but very sunny, and PY and I had a fantastic time roaming the shops, walking the pier, drinking coffee and doing all sorts of good things.

We left earlier this afternoon for the hour-long car ride home only to end up stuck in four hours of non-moving traffic at the end of the M23 (where it joins the M25). Sitting in a car, going nowhere, staring at the rear brake lights of the vehicle in front (and watching people dart from lane to lane to try to move 100 metres forward) was a very depressing way to end what had been, until then, a relaxing weekend. It’s such a shame our transport system means I am now more stressed than when I left the office on Friday night (it also means we’ve just eaten a stack of takeaway junk food, but that’s another story).

Maybe I should start looking forward to the week ahead

On this day…

2005: Tracking The World
2003: Last Orders at the Liars’ Bar
2002: This Is How A Thriller Should Read

links for 2004-11-13

  • On the following pages we will discuss and see how we can use Javascript, but still maintain accessibility. The technique to completely separate Javascript from the other two layers of web development has become commonly named “unobtrusive Javascript”, as
    (categories: browsers css javascript web)

On this day…

2005: Eternal Sunshine Of The Spotless Mind
2003: Thoughts on Helsinki
2002: Things That Make You Go “Huum”

Aliens Eat London Commuters

rush hour
rush hour

I posted this picture over on Flickr tonight, as it stunned me that I could walk onto a platform on the Northern Line at Charing Cross station and find it deserted. All the best movies had alien invaders clearing the streets while our lonesome hero wandered the empty streets and echoing buildings. It was very strange indeed, and a great relief when somebody else made it to the platform and stood waiting the few minutes for the next train.

I’ve spent the day in central London training some customers on our software products and so have been on my feet all day, talking. I find it quite hard to be engaging for six hours or so, and it can be very disconcerting when I see the participants’ interest wane. I imagine it’s a great relief for everyone when we make it to the end of the day. I was glad to head off for a meal with friends – which is why I was taking the train!

On this day…

2008: Sunset Crane
2003: Shifted Media

More Producing

Following up on my previous review of The Producers, I’ve had a little more time to think about it and earlier I posted this to Gay Boy Musicals Fans UK at Yahoo!

Having read the positive reader comments on the BBC’s story about The Producers I suspect I may be a lone voice in expressing a little (and just a little) disappointment. I hadn’t read many reviews but I did know about the reception it had received in the US and the praise heaped on Nathan Lane and Matthew Broderick.

I haven’t seen the film which, judging by the number of people sitting around me who had, means I was possibly one of only a small number of people in the audience who hadn’t. I wonder if that made a difference?

I saw it a week or so ago and it was good but not as good as all the raving would imply. While Nathan Lane’s talent, comic timing and performance cannot be faulted I did find weaknesses in the show. I thought some of the musical numbers in the middle were slow and the Ulla character was not engaging at all – in fact she was positively irritating. James Dreyfuss was camp (which, I guess, is the intention) but in that 1970s OTT cringe worthy way. Humour is, of course, personal and subjective, but I found it only amusing and not laugh-out-loud funny as many of the reviews suggest.

Still, I would take issue with the review of Lee Evans’ performance which says ‘he just about holds his own’. I would argue that he did far more than that. He too was excellent, believable & humorous and while I’ve never been a big fan of his stage antics he worked well in the role. In fact, for me, he worked so well I can’t imagine Broderick in the role.

I will, however, recommend the show because it stands out from much of the rest of the West End right now – it is good. It’s has some wonderful comedy and delightful musical moments. But the sum of those individual moments does not, in my opinion, add up to a great whole. I even bought the soundtrack in the hope that familiarity with the songs will make me warm to more of them.

Maybe it’s just me.

On this day…

2004: The Point Of Art?
2003: Flight Time Thinking

The Point Of Art?

Can it really be a whole year – yesterday – since I lay on the floor at The Tate Modern on the South Bank and looked up at that bizarre, yet compelling, installation that was Olafur Eliasson’s Weather Project? The very fact that I loved it, and wrote about it, made me realise that, generally, art doesn’t feature a great deal in my life. I mean paintings and installations don’t come high up on my list of things to do. I have spent time in most of the major London galleries since I have been here but nothing ever ‘clicks’ with me and, to be honest, apart from an Annie Leibovitz exhibition a few years ago I can’t recall much that I have seen. I wonder why paintings, sculpture etc. don’t resonate with me? I went to the Dali museum/gallery on the South Bank months ago as I thought the surrealism might be more appealing – but it was only marginally more so. In 2001 I went to see Martin Creed’s Turner Prize winning lights (going on and off in a room) and just didn’t get it (at all). It’s very strange really as I would like to appreciate art more and I would love to be able to take good photographs. It’s not that I don’t see that it’s good (or bad) art but more that most of the art I have seen simply washes over me. It doesn’t grab me. Maybe I should just keep looking! As for other things that I did last year, I really won’t mind being on a plane back to Helsinki but my boss went instead.

On this day…

2004: More Producing
2003: Flight Time Thinking

Night Off

Tonight I am not going out socialising. Ever since Gym Buddy Day a free evening would have meant a trip to the gym but, this evening, I am sat ripping music so that my computer’s jukebox contains a few more of the CDs that I am running out of space to house. It’s a rare, spare, evening but I couldn’t face the thought of the gym tonight. It would have been the third consecutive day I would have gone and I have, so far, been fairly religious about my ‘ever other day’ rule. I tend to find evenings at home with leisure as my only goal are the worst in terms of eating; which is why I am sat ripping music. I have given myself a purpose for tonight. Usually on evenings such as this I would go to the gym but restrict myself with a few lengths of the pool – I have always felt that swimming doesn’t contravene the ‘ever other day’ rule as I find it the hardest of exercises because I don’t do it properly. Therefore, it doesn’t count as exercise. Sure, I stay above water and motor up and down but I have no technique and I always feel that when I am out of breath in the pool it’s because I haven’t been breathing correctly. Anyway, there are two pool-based classes back-to-back on Tuesdays which means those of us who just want to swim are restricted to a small portion of the water and that makes it too hard. So, I am sat here listening to The Hidden Cameras and enjoying every minute of it.

On this day…

2003: Weather Project